Day of the Animals [Blu-ray]
Blu-ray ALL - America - Severin Films
Review written by and copyright: Anthony Arrigo (16th August 2021).
The Film

After the success of director William Girdler’s Jaws-of-the-woods film "Grizzly" (1976) the decision was made to keep the animal exploitation train a runnin’ with Girdler delivering another man-vs-nature picture a year later, "Day of the Animals" (1977). "Grizzly" offers only a couple of lines of dialogue about humanity’s encroachment on nature whereas "Day of the Animals" offers no such subtlety – here, the depletion of Earth’s ozone layer causes all animals (and some people) at high elevation to go insane, prompting aggressive behavior and unprovoked attacks. Girdler’s film is populated with several creatures that are trainable enough to “attack” actors on camera – birds, cougars, bears, dogs – and unlike most of "Grizzly" these bouts are better staged and edited. The film doesn’t quite know what to do once the plot has been set, however, leading to a largely dull feature that exists in infamy for one great reason: co-star Leslie Nielsen, long before his days of comedy, delivering a batshit performance that ends with him wrestling a bear.

An opening crawl informs viewers of Earth’s rapidly eroding ozone layer before introducing us to Steve Buckner (Christopher George), a hiking guide in Northern California, as he boards around a dozen tourists into a helicopter which will fly them up to Sugar Meadow for a hike that lasts a few days. Everyone gets a proper introduction though only a few receive any real development. The most useful among them is Daniel Santee (Michael Ansara), a Native American guide and the only one of them “in tune” with nature. The most outspoken among them is Paul (Leslie Nielsen), an advertising exec with a bad temper that only worsens as their journey continues. Their descent brings encounters with every predator in the woods, and many of those on the hike wind up on the losing side against Mother Nature.

Eventually the government determines that every animal at an elevation of 5000 feet and above is experiencing aggressive behavior due to the increased radiation and they broadcast this information over the radio, which is then picked up on by some of the hikers. By now the bonds between the hikers have started to break down and the large group splits off into two smaller factions: one led by Buckner and the other led by Paul. You can imagine which group has the greater success. With no clear solution in sight the groups continue their descent of the mountain, hoping to reach a level where the animals are back to normal.

At times this feels less like a film and more like a series of vignettes featuring hapless hikers being attacked by hordes of hot-tempered animals. One woman is assaulted by hawks until falling to her death. Wolves try to nab a few sleeping campers. Cougars do the same. Even dogs, man’s best friend, attack with the same lack of reservations. Not all these animals at once, of course – carefully choreographed packs of whatever beasts were on set that day. But nothing tops the grizzly bear (actually a cinnamon bear) that fights Leslie Nielsen, THAT bear vs. bare-chested maniac bout doesn’t last long but you gotta admire the man’s attempt. The camera work in "Grizzly" tended toward frenzied and choppy but Girdler and his editors found a way to make these attacks sell better, with more wide shots and legit skirmishes – though I concede it’s likely much easier to control a cougar compared to a massive brown bear.

Outside of these moments the film is a bit of a slog. The only urgency to the story is descending the mountain - since there isn’t a thing anyone can do about the ozone hole – and, as I said, that descent is a strung-together series of people being attacked. Not the worst thing to see if you like this type of film but it can feel redundant after a while. Being a fan of this cast helps, too, so if you dig seeing actors like Christopher George, Richard Jaeckal, and Leslie Nielsen the film will hold some additional appeal. Girdler may not have always achieved the ambitions he set for his films but it isn’t for lack of effort and that quality does show through on the screen as well.


Just as with "Grizzly" Severin Films is reissuing a title previously released by Scorpion Releasing, this version featuring a new 2K scan of an inter-negative. The 2.35:1 1080p 24/fps image using AVC MPEG-4 compression has a beautiful 70's aesthetic, with rich film grain and that lovely soft-around-the-edges anamorphic lensing. Colors are bright, blacks are mostly dark, and the camera does everything to drink in the beautiful California landscape. Quality seems to take a bit of a dip in the second half but this isn’t exactly demo-quality material to begin with – to be expected. I didn’t own the Scorpion release and can’t speak with much authority but I hear the most evident difference is a slight difference in brightness.


A perfectly serviceable English DTS-HD Master Audio 2.0 mono track carries the defect-free audio – no hissing or pops to be heard here. Lalo Schifrin’s score is minimal but what is presented sounds excellent. Subtitles are available in English SDH.


There are two audio commentary tracks – one with Lee Gambin, author of "Massacred by Mother Nature: Exploring the Natural Horror Film"; the other with actors Lynda Day George and Jon Cedar, moderated by “Evil Dead II” co-writer Scott Spiegel.

“Nightmare U.S.A. Author Stephen Thrower on the Career of distributor Edward L. Montoro” (1080p) featurette runs for 20 minutes and 38 seconds.

“Nature Boy – Interview with actor Bobby Porter” (1080p) featurette runs for 17 minutes and 49 seconds.

“Against Nature – Interview with actor Andrew Stevens” (1080p) featurette runs for 12 minutes and 55 seconds.

“Monty Cox Unleashed – Interview with animal wrangler Monty Cox” (1080p) featurette runs for 18 minutes and 10 seconds.

“Lynda and the Animals – Interview with actress Lynda Day George” (1080p) featurette runs for 5 minutes and 14 seconds.

“Something Was Out There: Day of the Animals 30 Years Later – Archival Making of Day of the Animals” featurette (SD) runs for 21 minutes and 44 seconds.

“Something Is Out There” alternate opening title Sequence (1080p) runs for 38 seconds.

A radio spot runs for 28 seconds.

Two TV spots (1080p) run for 32 seconds and 55 seconds, respectively.

A theatrical trailer (1080p) runs for 1 minute and 12 seconds.


The single disc comes housed in a standard Blu-ray keep case. The cover art is reversible.


While I tend to enjoy Girdler’s work this is one of his lesser efforts, with the only true entertainment coming from Leslie Nielsen’s unhinged character. The animal attack scenes aren’t very convincing and with not much of a story there isn’t much to go on here. Severin’s release offers upgraded A/V and several new interviews.

The Film: C- Video: B Audio: B+ Extras: A- Overall: C+


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