The Children's Film Foundation: Bumper Box Volume 5 The Children's Film Foundation was an English non-profit established in 1951 which produced feature films, serials, and short films specifically for a younger audience for Saturday matinees. Feature films were just under an hour in length, and would feature children in the leads in moral tales with capers, action, humor, and silliness that usually placed emphasis on how adults were usually blindsided by issues that kids saw more clearly. From issues like abuse, environmental concerns, family values, and much more, there was a lot of variety to be had with differing directors, actors, and other crew participating in the fairly low budget quickies that would give an equal amount of smiles and groans to different kids. The productions would feature works that could appeal to both boys and girls, with fun sequences like chases and silly humor to hit the funny bones of young ones, but the juvenile nature and predictable nature were also a detractor for others. These works were not made to be of high artistic standards with special quality, with many of the child actors having little to no training with acting and the adults sometimes acting like bumbling dumbfounded c...

The Children's Film Foundation: Bumper Box Volume 5 The Children's Film Foundation was an English non-profit established in 1951 which produced feature films, serials, and short films specifically for a younger audience for Saturday matinees. Feature films were just under an hour in length, and would feature children in the leads in moral tales with capers, action, humor, and silliness that usually placed emphasis on how adults were usually blindsided by issues that kids saw more clearly. From issues like abuse, environmental concerns, family values, and much more, there was a lot of variety to be had with differing directors, actors, and other crew participating in the fairly low budget quickies that would give an equal amount of smiles and groans to different kids. The productions would feature works that could appeal to both boys and girls, with fun sequences like chases and silly humor to hit the funny bones of young ones, but the juvenile nature and predictable nature were also a detractor for others. These works were not made to be of high artistic standards with special quality, with many of the child actors having little to no training with acting and the adults sometimes acting like bumbling dumbfounded c...

The Children's Film Foundation: Bumper Box Volume 5 The Children's Film Foundation was an English non-profit established in 1951 which produced feature films, serials, and short films specifically for a younger audience for Saturday matinees. Feature films were just under an hour in length, and would feature children in the leads in moral tales with capers, action, humor, and silliness that usually placed emphasis on how adults were usually blindsided by issues that kids saw more clearly. From issues like abuse, environmental concerns, family values, and much more, there was a lot of variety to be had with differing directors, actors, and other crew participating in the fairly low budget quickies that would give an equal amount of smiles and groans to different kids. The productions would feature works that could appeal to both boys and girls, with fun sequences like chases and silly humor to hit the funny bones of young ones, but the juvenile nature and predictable nature were also a detractor for others. These works were not made to be of high artistic standards with special quality, with many of the child actors having little to no training with acting and the adults sometimes acting like bumbling dumbfounded c...

The Children's Film Foundation: Bumper Box Volume 5 The Children's Film Foundation was an English non-profit established in 1951 which produced feature films, serials, and short films specifically for a younger audience for Saturday matinees. Feature films were just under an hour in length, and would feature children in the leads in moral tales with capers, action, humor, and silliness that usually placed emphasis on how adults were usually blindsided by issues that kids saw more clearly. From issues like abuse, environmental concerns, family values, and much more, there was a lot of variety to be had with differing directors, actors, and other crew participating in the fairly low budget quickies that would give an equal amount of smiles and groans to different kids. The productions would feature works that could appeal to both boys and girls, with fun sequences like chases and silly humor to hit the funny bones of young ones, but the juvenile nature and predictable nature were also a detractor for others. These works were not made to be of high artistic standards with special quality, with many of the child actors having little to no training with acting and the adults sometimes acting like bumbling dumbfounded c...

The Children's Film Foundation: Bumper Box Volume 5 The Children's Film Foundation was an English non-profit established in 1951 which produced feature films, serials, and short films specifically for a younger audience for Saturday matinees. Feature films were just under an hour in length, and would feature children in the leads in moral tales with capers, action, humor, and silliness that usually placed emphasis on how adults were usually blindsided by issues that kids saw more clearly. From issues like abuse, environmental concerns, family values, and much more, there was a lot of variety to be had with differing directors, actors, and other crew participating in the fairly low budget quickies that would give an equal amount of smiles and groans to different kids. The productions would feature works that could appeal to both boys and girls, with fun sequences like chases and silly humor to hit the funny bones of young ones, but the juvenile nature and predictable nature were also a detractor for others. These works were not made to be of high artistic standards with special quality, with many of the child actors having little to no training with acting and the adults sometimes acting like bumbling dumbfounded c...

The Children's Film Foundation: Bumper Box Volume 5 The Children's Film Foundation was an English non-profit established in 1951 which produced feature films, serials, and short films specifically for a younger audience for Saturday matinees. Feature films were just under an hour in length, and would feature children in the leads in moral tales with capers, action, humor, and silliness that usually placed emphasis on how adults were usually blindsided by issues that kids saw more clearly. From issues like abuse, environmental concerns, family values, and much more, there was a lot of variety to be had with differing directors, actors, and other crew participating in the fairly low budget quickies that would give an equal amount of smiles and groans to different kids. The productions would feature works that could appeal to both boys and girls, with fun sequences like chases and silly humor to hit the funny bones of young ones, but the juvenile nature and predictable nature were also a detractor for others. These works were not made to be of high artistic standards with special quality, with many of the child actors having little to no training with acting and the adults sometimes acting like bumbling dumbfounded c...

The Children's Film Foundation: Bumper Box Volume 5 The Children's Film Foundation was an English non-profit established in 1951 which produced feature films, serials, and short films specifically for a younger audience for Saturday matinees. Feature films were just under an hour in length, and would feature children in the leads in moral tales with capers, action, humor, and silliness that usually placed emphasis on how adults were usually blindsided by issues that kids saw more clearly. From issues like abuse, environmental concerns, family values, and much more, there was a lot of variety to be had with differing directors, actors, and other crew participating in the fairly low budget quickies that would give an equal amount of smiles and groans to different kids. The productions would feature works that could appeal to both boys and girls, with fun sequences like chases and silly humor to hit the funny bones of young ones, but the juvenile nature and predictable nature were also a detractor for others. These works were not made to be of high artistic standards with special quality, with many of the child actors having little to no training with acting and the adults sometimes acting like bumbling dumbfounded c...

The Children's Film Foundation: Bumper Box Volume 5 The Children's Film Foundation was an English non-profit established in 1951 which produced feature films, serials, and short films specifically for a younger audience for Saturday matinees. Feature films were just under an hour in length, and would feature children in the leads in moral tales with capers, action, humor, and silliness that usually placed emphasis on how adults were usually blindsided by issues that kids saw more clearly. From issues like abuse, environmental concerns, family values, and much more, there was a lot of variety to be had with differing directors, actors, and other crew participating in the fairly low budget quickies that would give an equal amount of smiles and groans to different kids. The productions would feature works that could appeal to both boys and girls, with fun sequences like chases and silly humor to hit the funny bones of young ones, but the juvenile nature and predictable nature were also a detractor for others. These works were not made to be of high artistic standards with special quality, with many of the child actors having little to no training with acting and the adults sometimes acting like bumbling dumbfounded c...

The Children's Film Foundation: Bumper Box Volume 5 The Children's Film Foundation was an English non-profit established in 1951 which produced feature films, serials, and short films specifically for a younger audience for Saturday matinees. Feature films were just under an hour in length, and would feature children in the leads in moral tales with capers, action, humor, and silliness that usually placed emphasis on how adults were usually blindsided by issues that kids saw more clearly. From issues like abuse, environmental concerns, family values, and much more, there was a lot of variety to be had with differing directors, actors, and other crew participating in the fairly low budget quickies that would give an equal amount of smiles and groans to different kids. The productions would feature works that could appeal to both boys and girls, with fun sequences like chases and silly humor to hit the funny bones of young ones, but the juvenile nature and predictable nature were also a detractor for others. These works were not made to be of high artistic standards with special quality, with many of the child actors having little to no training with acting and the adults sometimes acting like bumbling dumbfounded c...

Barnabáš Kos (The Ninth Heart's Josef Kemr) is a triangle player in one of the state orchestras, a roll that pretty much anyone could fill, so Kos finds personal value in taking on other responsibilities with various party committees. When he receives a registered letter appointing him as musical director, he believes it must have been meant for someone else but trying to return the letter to the post office proves to be an exercise in frustration, the committee members that appointed him see nothing in his record of service to the party that disqualifies him from the appointment, and the comrade who recommended him seems to either be pretending to know him or has also mistaken him for someone else. The orchestra conductor Ruman (Adela Has Not Had Supper Yet's Milivoj Uzelac) who castigated him for missing rehearsals for his party duties surprisingly acquiesces along with the entire orchestra but the only person who actively encourages...

Thirty-five-year-old Cameron Vale (Perfect Strangers' Stephen Lack) has been living as a vagrant for years, dogged everywhere he goes by the voices in his head which happen to be the quite real due to his telepathy. In moments of high emotion, when he feels "forced" to think about others, his telepathy has detrimental effects on them from nose bleeds and nausea to seizures. During one such public incident, he is captured and sedated by a pair of mysterious men and wakes up to Dr. Paul Ruth (The Prisoner's Patrick McGoohan) who reveals that Cameron is among a breed or are individuals who can not only hear the internal voices of others but can actually "scan" their thoughts. Ruth works for a private military company called ConSec who have been exploring the potential of scanners for intelligence gathering; however, after the telepathically-induced assassination of ConSec's strongest scanner (...

Françoise (The Blood Rose's Michèle Perello) used to be a nurse until she married paraplegic businessman Raoul Beauchamps (Bel Ami's André Chazel). Now she spends a few days in Paris minding her gallery and the rest of the week in the country lounging in the sun between tennis matches with high society friends. She has become increasingly disturbed by the proximity of her stepson Christian (Emanuelle and Lolita's Richard Darbois) who is taking some time away from his medical studies to ride his motorbike and hang out with local girl Julie (The Pleasure Shoppe's Michèle Grubert) who runs with the biker crowd. When the sexual fantasies of both become reality, ...

Marcel (Requiem for a Vampire's Philippe Gasté) is a Paris cab driver who, along with his horn dog colleague Charlie (I am a Nymphomaniac's Michel Vocoret), favors shapely female clientele and the seem to favor him as well. One day his fare Corrine (The Dogs' Denyse Roland) changes in the back of his cab into sexy lingerie on the way to meet her lover. She flirts with Marcel and invites him up to a rooftop pied-à-terre which she reveals is rendezvous point run by Madame Jacqueline (I Am Frigid... Why?'s Anne Kerylen) where some of the more sexually-adventurous members of high society can live out their fantasies. Corinne leaves Marcel in the com...

Geologist Tom Baines (Drop Zone's Sam Hennings) returns to his home town of Comet Valley to examine a supposed meteor found by old friend Thurman (The Jigsaw Murders' Charles Bouvier) and lecture the local space nuts (just as the only bridge out of town will be closed for three days of maintenance). Not everyone is happy to see him, including Deputy Sheriff Brad Yates (Santa Barbara's Dane Witherspoon), Tom's rival for the affections of childhood sweetheart Heidi (The Collector's Andrea Roth) who owns the local bed and breakfast. No one believes Heidi's younger sister Kim (...

The constant victim of bullying by the "braindead and airheads" of his school, Eddie Weinbauer (Family Ties' Marc Price) worships heavy metal artist Sammi Curr (A Chorus Line's Tony Fields), a school alumni whose music truly speaks to him. He is angered when the PTA cancels Curr's planned Halloween performance at the school over claims of obscenity and then devastated when he learns his idol has died in a hotel fire. He accepts an invitation to an after hours pool party from unrequited love interest Leslie (The Two Deaths' Lisa Orgolini), but after his chief bully Tim Hainey (Masquerade's Doug Savant) and his buddies humiliate and nearly kill him, he believes Leslie is ...

Saturn Award (Best Fantasy Film - nominee) and Best Foreign Film (nominee)- Academy of Science Fiction, Fantasy & Horror Films, 1980 Medalla Sitges en Plata de Ley (Best Cinematography): Jaroslav Kucera (winner) - Sitges - Catalonian International Film Festival, 1978 Gold Hugo (Best Feature): Oldrich Lipský (nominee) - Chicago International Film Festival, 1978 "America's Greatest Detective" Nick Carter (The Mysterious Castle in the Carpathians' Michal Docolomanský) - who counts Sherlock Holmes among his admirers – fights crime with a deductive mind, ingenious disguises, the latest technology, and a state of "constant vigilance." His triumphs are chronicled in print and known the world over so he is in constant demand for consulting abroad. When he receives a request from the vague police force in Prague, the phrase "no expenses spared" proves attractive enough. Carter arrives in traditional Czech dress determined to blend in, but not only is his costume centuries behind early twentieth century C...

"The Quiet Family" <조용한 가족> (1998) The Kang family consists of father Dae-goo (played by Park In-hwan), mother Soon-rye (played by Na Moon-hee), their young adult son Young-min (played by Song Kang-ho), their teenage daughters Mina (played by Go Ho-kyung) and Misoo (played by Lee Yoon-seong), plus Dae-goo’s younger brother Chang-goo (played by Choi Min-sik). The family moved out of the city to take care of a lodge in the mountains, to rent out rooms for hikers and tourists. The business venture is not easy for the inexperienced family, as the nearest main road is still under construction and the hikers are passing the inn with barely a glance. Their first customer is a lone man (played by Gi Ju-bong) who ends up committing suicide in the middle of the night by stabbing himself. The parents think that if the p...

The body of a young man is found in a public park in Prague, his eyes open and staring. He is pronounced dead upon arrival at the hospital and moved to the morgue. The medical staff discover that the man is Gregory Moore (One on Top of the Other's Jean Sorel), an American reporter working for the foreign press. What they do not know, however, is that he is not dead… or, at least, he does not believe he is dead. Able to see the doctors but unable to speak or move, Moore tries to recall how he got there even as he is wheeled into cold storage. When he was alive and well, Moore was planning on transferring to London and using his diplomatic ties to help get lover Mira (Black Belly of the Tarantula's Barbara Bach) out of the country with him. After they attend an upscale party in which Mira attracts much attention – as well as the jealousy of Moore's colleague and ex-lover Jessica (...

Billy Wilder’s "Some Like It Hot" remains a landmark in American cinema, deftly combining screwball comedy, gender-bending farce, and social satire in a way that feels astonishingly fresh, even decades after its release. The film isn’t just a comedy classic—it’s a sharp commentary on identity, desire, and the absurdity of gender expectations. Set in Prohibition-era Chicago, the story follows two struggling musicians, Joe (Tony Curtis) and Jerry (Jack Lemmon), who witness a mob hit and flee town by disguising themselves as women. They join an all-female band on its way to Florida, where they meet the stunning and troubled Sugar Kane (Marilyn Monroe), the band’s ukulele-playing singer with dreams of marrying a millionaire. As Joe woos Sugar while posing as a millionaire himself, and Jerry finds himself the object of affection from an actual rich suitor, the narrative spirals into a delightful tangle of deception and comic chaos. The brilliance of "Some Like It Hot" lies in its script, co-written by ...

"Babygirl" directed by Halina Reijn takes a fearless leap into the treacherous waters of power, sexuality, and societal expectation. Starring Nicole Kidman in one of her most provocative roles to date, the film explores a taboo relationship that both defies and critiques conventional gender and age dynamics. What unfolds is a sleek, stylized, and emotionally fraught character study that’s as compelling as it is occasionally confounding. Kidman plays Romy Mathis, the CEO of a cutting-edge robotics company who begins a relationship with Samuel (Harris Dickinson), a 25-year-old intern. What might have been played for scandal or erotic thrill instead morphs into a layered, unsettling examination of control, emotional fragility, and the longing for youth—not in the physical sense, but in its recklessness, intensity, and freedom. At its core, "Babygirl" is about female agency, about who gets to desire and who is allowed to act on that desire. By reversing the typical power imbalance so often seen in cinema (older man, younger woman), the film doesn’t just subvert expectations; it ...

APFF Award (Best Actor): Kôji Yakusho (winner) and Best Director: Shôhei Imamura (winner) - Asia-Pacific Film Festival, 1997 Golden Frog: Shigeru Komatsubara (hominated) - Camerimage, 1997 Palme d'Or: Shôhei Imamura (winner) - Cannes Film Festival, 1997 Hochi Film Award (Best Actor): Kôji Yakusho (winner) and Best Supporting Actress: Mitsuko Baishô (winner) - Hochi Film Awards, 1997 Independent Spirit Award (Best Foreign Film): Shôhei Imamura (nominated) - Film Independent Spirit Awards, 1997 Award of the Japanese Academy (Best Film): The Eel (nominee), Best Actor: Kôji Yakusho (winner), Best Actress: Misa Shimizu (nominated), Best Supporting Actor: Akira Emoto (nominee), Best Supporting Actress: Mitsuko Baishô (winner), Best Supporting Actress: Etsuko Ichihara (nominated), Best Director: Shôhei Imamura (winner), Best Screenplay: Shôhei Imamura, Daisuke Tengan, and Motofumi Tomikawa (nominated), Best Cinematography: Shigeru Komatsubara (nominated), Best Lighting: Yasuo Iw...

Somewhere in the redwoods of California is the castle (actually a stock shot of mad king Ludwig of Bavaria's Neuschwanstein palace) of Adolf… Schwartz (If He Hollers, Let Him Go!'s Edward Schaaf) who keeps a naked Ethiopian chef (Deep Jaws' Elaine Collins) and a gimp-masked Headsperson (Flesh Gordon's Candy Samples) while paying Asian geisha Limehouse (Ilsa, Harem Keeper of the Oil Sheiks' Su Ling) to smother him with her genitals and short-order cook Paul (Blue Summer's Robert McLane) to dress as a pilg...

Bikers Slick (Vanishing Point's Timothy Scott) and Dante (Beyond the Valley of the Dolls' Joseph Cellini) are following war vet Brahmin (Werewolves on Wheels' Stephen Oliver) through the California desert on the way to Vegas. Although Slick and Dante are sure Brahmin is a bit of a nutcase, they are not above joining him in terrorizing the locals from brawling to rape. When desert veterinarian Corey Maddox (Stanley's Alex Rocco) knocks Brahmin off his feet for trying to "get funny" with his wife Gail (The Crazies' ...

"Remembrance" (1982) Taking place in the port city of Plymouth, sailors of the Royal Navy is ready to embark on a six month tour to take them across the Atlantic. Steve (played by John Altman) is in a relationship with his girlfriend Sue (played by Sally Jane Jackson), though she is concerned as her ex-boyfriend Sean (played by Ewan Stewart) is also a sailor and is jealous that she is seeing a new man. His best friend Malcolm (played by Martin Barrass) is in a relationship with Sue’s best friend Gail (played by Michèle Winstanley), who works at a local pub. It is at the pub which an unfortunate incident occurs in which a drunken young man (a href="https://www.imdb.com/name/nm0000198/">Gary Oldman) is thrown out of the club and beaten into a coma by the bouncer, which traumatizes the young sailor Mark (played by David John), who didn’t know the guy but was havin...

In Mexico on holiday, advertising artist Julie Blair (Girls at Sea's Anne Kimbell) no sooner hears of a "devil in the cove" than she gets a fright from an encounter with a mini-submarine piloted by marine biologist Steve Dunning (Teenage Monster's Stuart Wade) who is assessing the cove as a possible sight for aqua-farming under Stanford professor Doctor Baldiwn (The Fast and the Furious' Dick Pinner). When they receive a distress call from abalone fisherman Joe (The Little Shop of Horrors' Jonathan Haze) that his diver brother's line has snapped while underwater, all they are able to recover is his suit which is empty despite having no tears or any other way he could have gotten ou...

"Fritz Lang made two of the defining works of early German cinema with Dr Mabuse, the Gambler and The Testament of Dr Mabuse, two masterpieces centred on Norbert Jacques’ nefarious literary supervillain. In 1960, Lang was charged by Artur Brauner’s CCC Film with making a third crime thriller centred on the infamous Dr Mabuse, completing a trilogy nearly forty years in the making. A huge success, The Thousand Eyes of Dr Mabuse gave CCC the confidence to launch into an entire series focused on the master criminal between 1960 and 1964, with Wolfgang Preiss filling the title role. All six films are presented here alongside a wealth of new and archival extras." The Thousand Eyes of Dr Mabuse: Although he died institutionalized back in 1932, many of his criminal cohorts have long believed that megalomaniacal mastermind Dr. Mabuse is still alive; and he is just who Interpol suspects of a string of murders linked only to the victims' stays at Berlin's Hotel Luxor: the latest being news reporter Peter Barter whose death of an apparent heart attack in his car in the middle of traffic is revealed to be murder only after p...

"Fritz Lang made two of the defining works of early German cinema with Dr Mabuse, the Gambler and The Testament of Dr Mabuse, two masterpieces centred on Norbert Jacques’ nefarious literary supervillain. In 1960, Lang was charged by Artur Brauner’s CCC Film with making a third crime thriller centred on the infamous Dr Mabuse, completing a trilogy nearly forty years in the making. A huge success, The Thousand Eyes of Dr Mabuse gave CCC the confidence to launch into an entire series focused on the master criminal between 1960 and 1964, with Wolfgang Preiss filling the title role. All six films are presented here alongside a wealth of new and archival extras." The Thousand Eyes of Dr Mabuse: Although he died institutionalized back in 1932, many of his criminal cohorts have long believed that megalomaniacal mastermind Dr. Mabuse is still alive; and he is just who Interpol suspects of a string of murders linked only to the victims' stays at Berlin's Hotel Luxor: the latest being news reporter Peter Barter whose death of an apparent heart attack in his car in the middle of traffic is revealed to be murder only after p...

"Fritz Lang made two of the defining works of early German cinema with Dr Mabuse, the Gambler and The Testament of Dr Mabuse, two masterpieces centred on Norbert Jacques’ nefarious literary supervillain. In 1960, Lang was charged by Artur Brauner’s CCC Film with making a third crime thriller centred on the infamous Dr Mabuse, completing a trilogy nearly forty years in the making. A huge success, The Thousand Eyes of Dr Mabuse gave CCC the confidence to launch into an entire series focused on the master criminal between 1960 and 1964, with Wolfgang Preiss filling the title role. All six films are presented here alongside a wealth of new and archival extras." The Thousand Eyes of Dr Mabuse: Although he died institutionalized back in 1932, many of his criminal cohorts have long believed that megalomaniacal mastermind Dr. Mabuse is still alive; and he is just who Interpol suspects of a string of murders linked only to the victims' stays at Berlin's Hotel Luxor: the latest being news reporter Peter Barter whose death of an apparent heart attack in his car in the middle of traffic is revealed to be murder only after p...

"Fritz Lang made two of the defining works of early German cinema with Dr Mabuse, the Gambler and The Testament of Dr Mabuse, two masterpieces centred on Norbert Jacques’ nefarious literary supervillain. In 1960, Lang was charged by Artur Brauner’s CCC Film with making a third crime thriller centred on the infamous Dr Mabuse, completing a trilogy nearly forty years in the making. A huge success, The Thousand Eyes of Dr Mabuse gave CCC the confidence to launch into an entire series focused on the master criminal between 1960 and 1964, with Wolfgang Preiss filling the title role. All six films are presented here alongside a wealth of new and archival extras." The Thousand Eyes of Dr Mabuse: Although he died institutionalized back in 1932, many of his criminal cohorts have long believed that megalomaniacal mastermind Dr. Mabuse is still alive; and he is just who Interpol suspects of a string of murders linked only to the victims' stays at Berlin's Hotel Luxor: the latest being news reporter Peter Barter whose death of an apparent heart attack in his car in the middle of traffic is revealed to be murder only after p...

"Fritz Lang made two of the defining works of early German cinema with Dr Mabuse, the Gambler and The Testament of Dr Mabuse, two masterpieces centred on Norbert Jacques’ nefarious literary supervillain. In 1960, Lang was charged by Artur Brauner’s CCC Film with making a third crime thriller centred on the infamous Dr Mabuse, completing a trilogy nearly forty years in the making. A huge success, The Thousand Eyes of Dr Mabuse gave CCC the confidence to launch into an entire series focused on the master criminal between 1960 and 1964, with Wolfgang Preiss filling the title role. All six films are presented here alongside a wealth of new and archival extras." The Thousand Eyes of Dr Mabuse: Although he died institutionalized back in 1932, many of his criminal cohorts have long believed that megalomaniacal mastermind Dr. Mabuse is still alive; and he is just who Interpol suspects of a string of murders linked only to the victims' stays at Berlin's Hotel Luxor: the latest being news reporter Peter Barter whose death of an apparent heart attack in his car in the middle of traffic is revealed to be murder only after p...

Dario Argentodescribes FOUR FLIES ON GREY VELVET as a deeply personal exploration of his inner turmoil: “I decided to let loose, go crazy, and unleash all my creativity and personal nightmares. Psychoanalysis plays a major role in the film because it’s partly autobiographical – rather Freudian, in fact.� Both Argento and lead actor Michael Brandon, in exclusive interviews for this edition, reveal how the director found his alter ego in Brandon, channelling his own paranoia to create an unsettling psychological thriller. The result is a shocking, knife-edge whodunit with a stunning twist. Introspection becomes art in Argento’s hands, making FOUR FLIES ON GREY VELVET essential viewing for anyone seeking a glimpse into the director’s psyche. It concludes Argento’s iconic ‘Animal’ trilogy, paving the way for ‘Suspiria’ and his later expressionistic masterpieces that earned him the title ‘Master of Horror.’ Celebrated rock musician Roberto Tobias (Michael Brandon) is thrust into a nightmare. Framed for a brutal stabbing, he soon finds himself ensnared in a web of senseless murders. The only clue to the deranged killer lies in a cryptic image captured on a victim’s retina. Roberto’s desperate searc...

Dario Argentodescribes FOUR FLIES ON GREY VELVET as a deeply personal exploration of his inner turmoil: “I decided to let loose, go crazy, and unleash all my creativity and personal nightmares. Psychoanalysis plays a major role in the film because it’s partly autobiographical – rather Freudian, in fact.� Both Argento and lead actor Michael Brandon, in exclusive interviews for this edition, reveal how the director found his alter ego in Brandon, channelling his own paranoia to create an unsettling psychological thriller. The result is a shocking, knife-edge whodunit with a stunning twist. Introspection becomes art in Argento’s hands, making FOUR FLIES ON GREY VELVET essential viewing for anyone seeking a glimpse into the director’s psyche. It concludes Argento’s iconic ‘Animal’ trilogy, paving the way for ‘Suspiria’ and his later expressionistic masterpieces that earned him the title ‘Master of Horror.’ Celebrated rock musician Roberto Tobias (Michael Brandon) is thrust into a nightmare. Framed for a brutal stabbing, he soon finds himself ensnared in a web of senseless murders. The only clue to the deranged killer lies in a cryptic image captured on a victim’s retina. Roberto’s desperate searc...

Chantal Contouri (Snapshot), David Hemmings (Harlequin), and Henry Silva (The Tall T) star in Thirst, a shocking fusion of horror and science fiction from legendary Australian producer Antony I Ginnane (Patrick). A sinister organisation known as the Brotherhood kidnaps Kate (Contouri), believing her to be the descendant of Countess Báthory, the Hungarian noblewoman who reputedly had vampiric tendencies. A battle of wills ensues as the Brotherhood tries to force the horrified Kate to join their blood-drinking sacrificial cult. Only Dr Fraser (Hemmings) is willing to help her ... ...

Chantal Contouri (Snapshot), David Hemmings (Harlequin), and Henry Silva (The Tall T) star in Thirst, a shocking fusion of horror and science fiction from legendary Australian producer Antony I Ginnane (Patrick). A sinister organisation known as the Brotherhood kidnaps Kate (Contouri), believing her to be the descendant of Countess Báthory, the Hungarian noblewoman who reputedly had vampiric tendencies. A battle of wills ensues as the Brotherhood tries to force the horrified Kate to join their blood-drinking sacrificial cult. Only Dr Fraser (Hemmings) is willing to help her... ...

Robert Powell (The Survivor), David Hemmings (Fragment of Fear), Carmen Duncan (Turkey Shoot), and Broderick Crawford (The Mob) star in Harlequin, a mysterious and fantastical thriller from director Simon Wincer (Snapshot) and writer Everett De Roche (Roadgames). When eccentric faith healer Gregory Wolfe (Powell) apparently cures the terminally ill son of Senator Nick Rast (Hemmings), Rast’s wife (Duncan) places her faith in Wolfe’s powers. But when Wolfe begins meddling in sensitive government business, political fixer Doc Wheelan (Crawford) decides to make the problem go away... Inspired by Rasputin’s influence over the Russian court, Harlequin (released in the US as Dark Forces) is a classic Australian chiller from producer Antony I Ginnane (Patrick)....

Robert Powell (The Survivor), David Hemmings (Fragment of Fear), Carmen Duncan (Turkey Shoot), and Broderick Crawford (The Mob) star in Harlequin, a mysterious and fantastical thriller from director Simon Wincer (Snapshot) and writer Everett De Roche (Roadgames). When eccentric faith healer Gregory Wolfe (Powell) apparently cures the terminally ill son of Senator Nick Rast (Hemmings), Rast’s wife (Duncan) places her faith in Wolfe’s powers. But when Wolfe begins meddling in sensitive government business, political fixer Doc Wheelan (Crawford) decides to make the problem go away... Inspired by Rasputin’s influence over the Russian court, Harlequin (released in the US as Dark Forces) is a classic Australian chiller from producer Antony I Ginnane (Patrick)....

Oscar® winner Cillian Murphy delivers a stunning performance as devoted father Bill Furlong in this film based on the best-selling novel of the same name by Claire Keegan. While working as a coal merchant to support his family, he discovers disturbing secrets kept by the local convent - and uncovers truths of his own - forcing him to confront his past and the complicit silence of a small Irish town controlled by the Catholic Church. ...

Henry Hathaway (Go West Young Man) directs John Wayne (Jet Pilot), Betty Field (7 Women), Harry Carey (You and Me), and Beulah Bondi (Remember the Night) in the classic 1941 melodrama The Shepherd of the Hills. When Daniel Howitt (Carey), a kindly stranger, arrives in a remote Ozark community riven by hatred, he befriends young Sammy (Field) and raises the ire of her fiancé, Matt (Wayne), a bitter moonshiner who has sworn to kill his own father. Based on the best-selling novel by Harold Bell Wright, and boasting ravishing cinematography by Charles Lang (The Long Gray Line) and W Howard Greene (The Magnificent Seven), Hathaway’s version of The Shepherd of the Hills was the third of no fewer than four big-screen adaptations, and was Wayne’s first film in Technicolor....

Humphrey Bogart (The Harder They Fall), Bruce Bennett (Undertow) and J Carrol Naish (The Lives of a Bengal Lancer) star in Sahara, a thrilling tale of World War II heroism from director Zoltán Korda (A Woman’s Vengeance). Separated from his unit following the fall of Tobruk, Master Sergeant Joe Gunn (Bogart) and his crew flee in a tank across the Sahara, picking up a variety of stragglers and prisoners along the way. With their survival entirely dependent on the water from a depleted well, the group must defend it against a whole German battalion. Produced by Harry Joe Brown (Buchanan Rides Alone) and shot under harsh conditions in the unforgiving landscape of the Colorado Desert, the production of Sahara utilised an entire US Army division as extras, adding to the film’s gritty sense of realism....

Cornel Wilde (Shockproof), Victoria Shaw (The Crimson Kimono), and Mickey Shaughnessy (Jailhouse Rock) star in Edge of Eternity, a riveting murder mystery from director Don Siegel (Madigan, Charley Varrick). When a series of killings plagues an Arizona ghost town on the edge of the Grand Canyon, Deputy Sherrif Martin (Wilde) forms an unlikely partnership with playgirl Janice (Shaw) to investigate. Made on location, and shot in CinemaScope by the great Burnett Guffey (The Sniper, The Reckless Moment), Edge of Eternity is one of Don Siegel's most arresting and thrilling crime films....

Richard Pryor and Gene Wilder were two of American cinema’s best-loved comic actors, and this box set collects three of their classic collaborations. In Stir Crazy, Skip (Wilder) and Harry (Pryor) are sentenced to 125 years for a bank robbery they didn’t commit and must rely on each other to survive in a maximum-security prison. In See No Evil, Hear No Evil, blind Wally (Pryor) and deaf Dave (Wilder) team up to foil a murderous gang of thieves. Finally, in Another You, compulsive liar George (Wilder) is mistaken for the heir to a fortune, to the delight of conman Eddie (Pryor). This essential three-disc collection features an array of fascinating contextualising extras, including newly recorded commentaries, interviews, and critical appreciations, as well as a 100-page book containing new and archival writings. Strictly limited to 6,000 individually numbered units....

Richard Pryor and Gene Wilder were two of American cinema’s best-loved comic actors, and this box set collects three of their classic collaborations. In Stir Crazy, Skip (Wilder) and Harry (Pryor) are sentenced to 125 years for a bank robbery they didn’t commit and must rely on each other to survive in a maximum-security prison. In See No Evil, Hear No Evil, blind Wally (Pryor) and deaf Dave (Wilder) team up to foil a murderous gang of thieves. Finally, in Another You, compulsive liar George (Wilder) is mistaken for the heir to a fortune, to the delight of conman Eddie (Pryor). This essential three-disc collection features an array of fascinating contextualising extras, including newly recorded commentaries, interviews, and critical appreciations, as well as a 100-page book containing new and archival writings. Strictly limited to 6,000 individually numbered units....

Richard Pryor and Gene Wilder were two of American cinema’s best-loved comic actors, and this box set collects three of their classic collaborations. In Stir Crazy, Skip (Wilder) and Harry (Pryor) are sentenced to 125 years for a bank robbery they didn’t commit and must rely on each other to survive in a maximum-security prison. In See No Evil, Hear No Evil, blind Wally (Pryor) and deaf Dave (Wilder) team up to foil a murderous gang of thieves. Finally, in Another You, compulsive liar George (Wilder) is mistaken for the heir to a fortune, to the delight of conman Eddie (Pryor). This essential three-disc collection features an array of fascinating contextualising extras, including newly recorded commentaries, interviews, and critical appreciations, as well as a 100-page book containing new and archival writings. Strictly limited to 6,000 individually numbered units....

In The Vampire (El vampiro), the beautiful, bereaved Marta (Welter) travels with Enrique (Salazar) to visit her sick aunt in her ancestral home. There, the mysterious neighbour Duval (Robles) offers to buy the family's decrepit hacienda. However, Duval is really Count Karol de Lavud, a vampire whose aim is to drain Marta of her blood and revive his entombed brother. In the sequel, The Vampire's Coffin (El atad del vampiro), grave robbers bring Lavud's corpse to Enrique's city hospital, where Marta now works as a nurse. Duly re-animated, Lavud sets about his bloody plan to make Marta his bride. Pre-dating Hammer Films' Dracula by a year, The Vampire's uniquely Mexican take on vampire mythology was the first film to give its antagonist elongated fangs, and its success kick-started Mexico's horror boom. Restored from the original negatives, these films finally receive their world Blu-ray premieres in this individually numbered Limited Edition two-disc set, complete with new and archival extra features, and a fully illustrated 80-page book....

In The Vampire (El vampiro), the beautiful, bereaved Marta (Welter) travels with Enrique (Salazar) to visit her sick aunt in her ancestral home. There, the mysterious neighbour Duval (Robles) offers to buy the family's decrepit hacienda. However, Duval is really Count Karol de Lavud, a vampire whose aim is to drain Marta of her blood and revive his entombed brother. In the sequel, The Vampire's Coffin (El atad del vampiro), grave robbers bring Lavud's corpse to Enrique's city hospital, where Marta now works as a nurse. Duly re-animated, Lavud sets about his bloody plan to make Marta his bride. Pre-dating Hammer Films' Dracula by a year, The Vampire's uniquely Mexican take on vampire mythology was the first film to give its antagonist elongated fangs, and its success kick-started Mexico's horror boom. Restored from the original negatives, these films finally receive their world Blu-ray premieres in this individually numbered Limited Edition two-disc set, complete with new and archival extra features, and a fully illustrated 80-page book....

In The Vampire (El vampiro), the beautiful, bereaved Marta (Welter) travels with Enrique (Salazar) to visit her sick aunt in her ancestral home. There, the mysterious neighbour Duval (Robles) offers to buy the family's decrepit hacienda. However, Duval is really Count Karol de Lavud, a vampire whose aim is to drain Marta of her blood and revive his entombed brother. In the sequel, The Vampire's Coffin (El atad del vampiro), grave robbers bring Lavud's corpse to Enrique's city hospital, where Marta now works as a nurse. Duly re-animated, Lavud sets about his bloody plan to make Marta his bride. Pre-dating Hammer Films' Dracula by a year, The Vampire's uniquely Mexican take on vampire mythology was the first film to give its antagonist elongated fangs, and its success kick-started Mexico's horror boom. Restored from the original negatives, these films finally receive their world Blu-ray premieres in this individually numbered Limited Edition two-disc set, complete with new and archival extra features, and a fully illustrated 80-page book....

In The Vampire (El vampiro), the beautiful, bereaved Marta (Welter) travels with Enrique (Salazar) to visit her sick aunt in her ancestral home. There, the mysterious neighbour Duval (Robles) offers to buy the family's decrepit hacienda. However, Duval is really Count Karol de Lavud, a vampire whose aim is to drain Marta of her blood and revive his entombed brother. In the sequel, The Vampire's Coffin (El atad del vampiro), grave robbers bring Lavud's corpse to Enrique's city hospital, where Marta now works as a nurse. Duly re-animated, Lavud sets about his bloody plan to make Marta his bride. Pre-dating Hammer Films' Dracula by a year, The Vampire's uniquely Mexican take on vampire mythology was the first film to give its antagonist elongated fangs, and its success kick-started Mexico's horror boom. Restored from the original negatives, these films finally receive their world Blu-ray premieres in this individually numbered Limited Edition two-disc set, complete with new and archival extra features, and a fully illustrated 80-page book....

Six bone-chilling tales from the vaults of Columbia Pictures, starring a host of the classic horror genre’s most celebrated names, including Ralph Bellamy (Lady on a Train), Nina Foch (Escape in the Fog), Rose Hobart (Dr. Jekyll and Mr. Hyde), Jack Holt (Cat People), Boris Karloff (The Criminal Code), Peter Lorre (M), and Fay Wray (Thunderbolt). In Behind the Mask, the dastardly Dr ‘X’ murders his patients and smuggles narcotics in their coffins. Black Moon sees a cursed daughter return to the island where her parents perished in a voodoo ceremony. In Air Hawks, pioneering aviators are tormented by rivals operating a horrifying death ray. Island of Doomed Men sees an undercover agent infiltrating a remote penal colony presided over by a madman. In Cry of the Werewolf, a beautiful female lycanthrope vows to murder those who discover her family’s secret. And, for those whose nerves are still intact, The Soul of a Monster tells the tale of a woman who makes a diabolical deal to save her husband’s life. This essential three-disc collection marks the UK Blu-ray premiere of all six films, and features an array of fascinating contextualising extras, including newly recorded commentaries, critical appreciations, and rare archival sh...

Six bone-chilling tales from the vaults of Columbia Pictures, starring a host of the classic horror genre’s most celebrated names, including Ralph Bellamy (Lady on a Train), Nina Foch (Escape in the Fog), Rose Hobart (Dr. Jekyll and Mr. Hyde), Jack Holt (Cat People), Boris Karloff (The Criminal Code), Peter Lorre (M), and Fay Wray (Thunderbolt). In Behind the Mask, the dastardly Dr ‘X’ murders his patients and smuggles narcotics in their coffins. Black Moon sees a cursed daughter return to the island where her parents perished in a voodoo ceremony. In Air Hawks, pioneering aviators are tormented by rivals operating a horrifying death ray. Island of Doomed Men sees an undercover agent infiltrating a remote penal colony presided over by a madman. In Cry of the Werewolf, a beautiful female lycanthrope vows to murder those who discover her family’s secret. And, for those whose nerves are still intact, The Soul of a Monster tells the tale of a woman who makes a diabolical deal to save her husband’s life. This essential three-disc collection marks the UK Blu-ray premiere of all six films, and features an array of fascinating contextualising extras, including newly recorded commentaries, critical appreciations, and rare archival sh...

Six bone-chilling tales from the vaults of Columbia Pictures, starring a host of the classic horror genre’s most celebrated names, including Ralph Bellamy (Lady on a Train), Nina Foch (Escape in the Fog), Rose Hobart (Dr. Jekyll and Mr. Hyde), Jack Holt (Cat People), Boris Karloff (The Criminal Code), Peter Lorre (M), and Fay Wray (Thunderbolt). In Behind the Mask, the dastardly Dr ‘X’ murders his patients and smuggles narcotics in their coffins. Black Moon sees a cursed daughter return to the island where her parents perished in a voodoo ceremony. In Air Hawks, pioneering aviators are tormented by rivals operating a horrifying death ray. Island of Doomed Men sees an undercover agent infiltrating a remote penal colony presided over by a madman. In Cry of the Werewolf, a beautiful female lycanthrope vows to murder those who discover her family’s secret. And, for those whose nerves are still intact, The Soul of a Monster tells the tale of a woman who makes a diabolical deal to save her husband’s life. This essential three-disc collection marks the UK Blu-ray premiere of all six films, and features an array of fascinating contextualising extras, including newly recorded commentaries, critical appreciations, and rare archival sh...

Six bone-chilling tales from the vaults of Columbia Pictures, starring a host of the classic horror genre’s most celebrated names, including Ralph Bellamy (Lady on a Train), Nina Foch (Escape in the Fog), Rose Hobart (Dr. Jekyll and Mr. Hyde), Jack Holt (Cat People), Boris Karloff (The Criminal Code), Peter Lorre (M), and Fay Wray (Thunderbolt). In Behind the Mask, the dastardly Dr ‘X’ murders his patients and smuggles narcotics in their coffins. Black Moon sees a cursed daughter return to the island where her parents perished in a voodoo ceremony. In Air Hawks, pioneering aviators are tormented by rivals operating a horrifying death ray. Island of Doomed Men sees an undercover agent infiltrating a remote penal colony presided over by a madman. In Cry of the Werewolf, a beautiful female lycanthrope vows to murder those who discover her family’s secret. And, for those whose nerves are still intact, The Soul of a Monster tells the tale of a woman who makes a diabolical deal to save her husband’s life. This essential three-disc collection marks the UK Blu-ray premiere of all six films, and features an array of fascinating contextualising extras, including newly recorded commentaries, critical appreciations, and rare archival sh...

Six bone-chilling tales from the vaults of Columbia Pictures, starring a host of the classic horror genre’s most celebrated names, including Ralph Bellamy (Lady on a Train), Nina Foch (Escape in the Fog), Rose Hobart (Dr. Jekyll and Mr. Hyde), Jack Holt (Cat People), Boris Karloff (The Criminal Code), Peter Lorre (M), and Fay Wray (Thunderbolt). In Behind the Mask, the dastardly Dr ‘X’ murders his patients and smuggles narcotics in their coffins. Black Moon sees a cursed daughter return to the island where her parents perished in a voodoo ceremony. In Air Hawks, pioneering aviators are tormented by rivals operating a horrifying death ray. Island of Doomed Men sees an undercover agent infiltrating a remote penal colony presided over by a madman. In Cry of the Werewolf, a beautiful female lycanthrope vows to murder those who discover her family’s secret. And, for those whose nerves are still intact, The Soul of a Monster tells the tale of a woman who makes a diabolical deal to save her husband’s life. This essential three-disc collection marks the UK Blu-ray premiere of all six films, and features an array of fascinating contextualising extras, including newly recorded commentaries, critical appreciations, and rare archival sh...

Six bone-chilling tales from the vaults of Columbia Pictures, starring a host of the classic horror genre’s most celebrated names, including Ralph Bellamy (Lady on a Train), Nina Foch (Escape in the Fog), Rose Hobart (Dr. Jekyll and Mr. Hyde), Jack Holt (Cat People), Boris Karloff (The Criminal Code), Peter Lorre (M), and Fay Wray (Thunderbolt). In Behind the Mask, the dastardly Dr ‘X’ murders his patients and smuggles narcotics in their coffins. Black Moon sees a cursed daughter return to the island where her parents perished in a voodoo ceremony. In Air Hawks, pioneering aviators are tormented by rivals operating a horrifying death ray. Island of Doomed Men sees an undercover agent infiltrating a remote penal colony presided over by a madman. In Cry of the Werewolf, a beautiful female lycanthrope vows to murder those who discover her family’s secret. And, for those whose nerves are still intact, The Soul of a Monster tells the tale of a woman who makes a diabolical deal to save her husband’s life. This essential three-disc collection marks the UK Blu-ray premiere of all six films, and features an array of fascinating contextualising extras, including newly recorded commentaries, critical appreciations, and rare archival sh...

Hollywood legends Marlene Dietrich (Blonde Venus) and Fred MacMurray (Pushover) collide in the screwball comedy classic The Lady Is Willing. Eccentric Broadway star Liza Madden (Dietrich) longs to become a mother but has no need for a husband. When she stumbles across an abandoned baby, she resolves to adopt it, entering into a marriage of convenience with child-hating, rabbit-obsessed divorcé Dr McBain (MacMurray). Directed by Mitchell Leisen (Remember the Night) and scripted by James Edward Grant (Bullfighter and the Lady), The Lady Is Willing also includes memorable supporting turns from Stanley Ridges (An Act of Murder), Aline MacMahon (One Way Passage), and Arline Judge (An American Tragedy). ...

Sylvia Sidney (An American Tragedy), George Raft (Spawn of the North), and Harry Carey (The Long Gray Line) head up the cast of this powerful film from the great Fritz Lang (Ministry of Fear). When ex-convict Joe (Raft) gets a job in a department store, he falls in love with his co-worker Helen (Sidney) and, even though the rules of their employment strictly forbid it, the two secretly are married. However, when he discovers that Helen has been hiding the fact that she is also an ex-con, Joe becomes enraged and decides to rob the store, putting their relationship in jeopardy. With a screenplay by Virginia Van Upp (Affair in Trinidad) and Norman Krasna (Fury), as well as music by the legendary Kurt Weill (The Threepenny Opera), You and Me is a unique mix of crime thriller and romantic comedy which confounded audience expectations at the time of its release, but which has become a critical favourite in the decades since....

Following the runaway success of Love Affair, Irene Dunne (The Awful Truth) and Charles Boyer (A Woman’s Vengeance) were reunited for When Tomorrow Comes, a heartbreaking romantic melodrama. Despite differences of class and politics, concert pianist Philip (Boyer) falls in love with waitress Helen (Dunne), and they embark on a torrid romance. However, Helen soon finds that Philip is hiding something from her... Directed by John M Stahl (Leave Her to Heaven) and based on a story by James M Cain (The Postman Always Rings Twice), When Tomorrow Comes was later remade by Douglas Sirk as Interlude, and stands as a classic of the so-called ‘Women's Picture’ genre....

George Lazenby, in a career-defining departure from his role as James Bond 007 (On Her Majesty’s Secret Service), delivers a powerful, gutsy performance in Aldo Lado's chillingly disturbing giallo masterpiece, WHO SAW HER DIE? Lazenby portrays Franco Serpieri, a sculptor recently separated from his wife (Anita Strindberg). He invites their young daughter, Roberta (Nicoletta Elmi), to spend time with him in an autumnal Venice. As father and daughter joyfully make up for lost time exploring the city, their idyllic bonding is shattered when Roberta becomes the target of a dangerous child-killer lurking in the city's foggy canals. Consumed by grief and driven by a thirst for justice, a tormented Franco embarks on his own investigation, uncovering vicious depravity in the highest echelons of Venetian society controlled by a Machiavellian art-dealer Adolfo Celi (Largo in 007’s Thunderball). Bearing striking and uncanny similarities to Nicolas Roeg’s later film, Don’t Look Now, Lado’s WHO SAW HER DIE? delves into a father’s haunting guilt within a spellbinding giallo mystery. Enhanced by Ennio Morricone's eerie score and Franco Di Giacomo's (The Good, The Bad & The Ugly) evocative cinematography, now properly revealed in this defin...

After a decade of honing their signature characters, Richie and Eddie, across TV and stage-show appearances, British comedy legends Rik Mayall and Adrian Edmondson (The Comic Strip Presents..., The Young Ones) finally gave the pair the big-screen outing which they truly deserved in the riotous, vomit-soaked entertainment that is Guest House Paradiso. When Mr Nice (Simon Pegg, Shaun of the Dead) and his family check in to ‘the cheapest hotel in Britain’ – run with maximum inefficiency and malfeasance by Richie and Eddie – it sets off an outrageous chain of events involving rubber underwear, a beautiful Italian film star (Hélène Mahieu), her abusive fiancé (Vincent Cassel, Irreversible), and a consignment of radioactive fish. Featuring a spectacular supporting cast, which also includes Fenella Fielding (Carry On Screaming!, Hammer’s The Old Dark House) and Bill Nighy (Love Actually), this slapstick tour-de-force is a latter-day classic of disreputable British comedy, which has to be seen to be believed....

Robin Askwith (Britannia Hospital) stars in THE COMPLETE CONFESSIONS, 1974–1977, the definitive collection of the celebrated British sex-comedy series. Based on the pseudonymous Timothy Lea novels by screenwriter Christopher Wood (The Spy Who Loved Me), each instalment follows the fortunes of the feckless and accident-prone – yet seemingly irresistible – Timmy (Askwith) as he gets embroiled in the money-making schemes of his brother-in-law Sidney Noggett (Anthony Booth, Corruption). The fun starts in Confessions of a Window Cleaner, as Timmy must satisfy the demands of a clientele of lonely housewives whilst attempting to woo police officer Liz (Linda Hayden, The Blood on Satan’s Claw). In Confessions of a Pop Performer, Timmy endures the ups and downs (and ins and outs) of the music business when he joins a band managed by Sid. With Confessions of a Driving Instructor, Timmy finds his female students fumbling for his gearstick. Finally, in Confessions from a Holiday Camp, entertainment officer Timmy struggles to organise a beauty contest under the watchful eye of the camp’s tyrannical new manager. Directed by Val Guest (The Full Treatment) and Norman Cohen (Stand Up, Virgin Soldiers), this classic quartet features a support...

Robin Askwith (Britannia Hospital) stars in THE COMPLETE CONFESSIONS, 1974–1977, the definitive collection of the celebrated British sex-comedy series. Based on the pseudonymous Timothy Lea novels by screenwriter Christopher Wood (The Spy Who Loved Me), each instalment follows the fortunes of the feckless and accident-prone – yet seemingly irresistible – Timmy (Askwith) as he gets embroiled in the money-making schemes of his brother-in-law Sidney Noggett (Anthony Booth, Corruption). The fun starts in Confessions of a Window Cleaner, as Timmy must satisfy the demands of a clientele of lonely housewives whilst attempting to woo police officer Liz (Linda Hayden, The Blood on Satan’s Claw). In Confessions of a Pop Performer, Timmy endures the ups and downs (and ins and outs) of the music business when he joins a band managed by Sid. With Confessions of a Driving Instructor, Timmy finds his female students fumbling for his gearstick. Finally, in Confessions from a Holiday Camp, entertainment officer Timmy struggles to organise a beauty contest under the watchful eye of the camp’s tyrannical new manager. Directed by Val Guest (The Full Treatment) and Norman Cohen (Stand Up, Virgin Soldiers), this classic quartet features a support...

Robin Askwith (Britannia Hospital) stars in THE COMPLETE CONFESSIONS, 1974–1977, the definitive collection of the celebrated British sex-comedy series. Based on the pseudonymous Timothy Lea novels by screenwriter Christopher Wood (The Spy Who Loved Me), each instalment follows the fortunes of the feckless and accident-prone – yet seemingly irresistible – Timmy (Askwith) as he gets embroiled in the money-making schemes of his brother-in-law Sidney Noggett (Anthony Booth, Corruption). The fun starts in Confessions of a Window Cleaner, as Timmy must satisfy the demands of a clientele of lonely housewives whilst attempting to woo police officer Liz (Linda Hayden, The Blood on Satan’s Claw). In Confessions of a Pop Performer, Timmy endures the ups and downs (and ins and outs) of the music business when he joins a band managed by Sid. With Confessions of a Driving Instructor, Timmy finds his female students fumbling for his gearstick. Finally, in Confessions from a Holiday Camp, entertainment officer Timmy struggles to organise a beauty contest under the watchful eye of the camp’s tyrannical new manager. Directed by Val Guest (The Full Treatment) and Norman Cohen (Stand Up, Virgin Soldiers), this classic quartet features a support...

Robin Askwith (Britannia Hospital) stars in THE COMPLETE CONFESSIONS, 1974–1977, the definitive collection of the celebrated British sex-comedy series. Based on the pseudonymous Timothy Lea novels by screenwriter Christopher Wood (The Spy Who Loved Me), each instalment follows the fortunes of the feckless and accident-prone – yet seemingly irresistible – Timmy (Askwith) as he gets embroiled in the money-making schemes of his brother-in-law Sidney Noggett (Anthony Booth, Corruption). The fun starts in Confessions of a Window Cleaner, as Timmy must satisfy the demands of a clientele of lonely housewives whilst attempting to woo police officer Liz (Linda Hayden, The Blood on Satan’s Claw). In Confessions of a Pop Performer, Timmy endures the ups and downs (and ins and outs) of the music business when he joins a band managed by Sid. With Confessions of a Driving Instructor, Timmy finds his female students fumbling for his gearstick. Finally, in Confessions from a Holiday Camp, entertainment officer Timmy struggles to organise a beauty contest under the watchful eye of the camp’s tyrannical new manager. Directed by Val Guest (The Full Treatment) and Norman Cohen (Stand Up, Virgin Soldiers), this classic quartet features a support...

Robin Askwith (Britannia Hospital) stars in THE COMPLETE CONFESSIONS, 1974–1977, the definitive collection of the celebrated British sex-comedy series. Based on the pseudonymous Timothy Lea novels by screenwriter Christopher Wood (The Spy Who Loved Me), each instalment follows the fortunes of the feckless and accident-prone – yet seemingly irresistible – Timmy (Askwith) as he gets embroiled in the money-making schemes of his brother-in-law Sidney Noggett (Anthony Booth, Corruption). The fun starts in Confessions of a Window Cleaner, as Timmy must satisfy the demands of a clientele of lonely housewives whilst attempting to woo police officer Liz (Linda Hayden, The Blood on Satan’s Claw). In Confessions of a Pop Performer, Timmy endures the ups and downs (and ins and outs) of the music business when he joins a band managed by Sid. With Confessions of a Driving Instructor, Timmy finds his female students fumbling for his gearstick. Finally, in Confessions from a Holiday Camp, entertainment officer Timmy struggles to organise a beauty contest under the watchful eye of the camp’s tyrannical new manager. Directed by Val Guest (The Full Treatment) and Norman Cohen (Stand Up, Virgin Soldiers), this classic quartet features a support...

Boy (Bill Skarsgard) is left orphaned, deaf, and voiceless when his family is brutally murdered in front of him. Driven by his inner voice, taken from his favourite childhood video game (the legendary H. Jon Benjamin), Boy escapes to the jungle where he encounters a mysterious shaman (The Raid’s Yayan Ruhian) who trains him to become an instrument of death. Seeking revenge Boy embarks on a mission against the corrupt post-apocalyptic dynasty headed by the deranged matriarch Hilda Van Der Koy (Famke Janssen), unleashing carnage, delirious violence and martial arts mayhem on his road to retribution....

Boy (Bill Skarsgard) is left orphaned, deaf, and voiceless when his family is brutally murdered in front of him. Driven by his inner voice, taken from his favourite childhood video game (the legendary H. Jon Benjamin), Boy escapes to the jungle where he encounters a mysterious shaman (The Raid’s Yayan Ruhian) who trains him to become an instrument of death. Seeking revenge Boy embarks on a mission against the corrupt post-apocalyptic dynasty headed by the deranged matriarch Hilda Van Der Koy (Famke Janssen), unleashing carnage, delirious violence and martial arts mayhem on his road to retribution....