• Commentaries:
    Audio Commentary with actors Marilyn Burns, Paul A. Partain, and Allen Danziger and production designer/art director Robert A. Burns; moderated by David Gregory
    Audio Commentary with actor Gunnar Hansen, cinematographer Daniel Pearl, and director/co-writer/co-producer Tobe Hooper
  • Extras:
    "The Shocking Truth" documentary (72:53)
    "Flesh Wounds: Seven Stories of the Saw" documentary (71:41)
    "Gunnar Hansen's Chain Saw House Tour" featurette (8:03)
    Shocking Truth Outtakes (7:33)
    Deleted Scenes and Outtakes (25:24)
    Blooper Reel (2:22)
    "Dr. W.E. Barnes Presents 'Making Grandpa'" photo gallery
    Photo Gallery
    2 Theatrical Trailers (1:43/1:30)
    3 TV Spots (0:34/0:35/0:33)
    2 Radio Spots (0:32/0:32)
    "Off the Hook" interview with actress Teri McMinn (17:01)
  • Subtitles:
    English HoH, Spanish
  • Aspect Ratio:
  • Picture Format:
    1080p 24fps VC-1
  • Soundtrack(s):
    English DTS 5.1
    English LPCM 2.0 Stereo
    English Dolby Digital 1.0 Mono
  • Case type:
    Keep Case
  • Notes:
    Original pressings were Region All.
    High definition source, restored by Don May of "Synapse Films". Some quotes from him about the new transfer (source: HTF - hometheaterforum):
    *The new HD transfer was not created from 35mm materials. It was created from the original 16mm vault materials.
    *The older version was so noise-reduced (with DVNR) that most of the grain was removed and smoothed out, along with detail and sharpness.
    *The grain was there because of the film stock used. Tobe himself told that there was no conscious decision to make the film look "documentary-style", with the graininess, etc. He was trying to film the best movie he could. The heavy grain structure you've seen on prints, etc. were caused by a combination of the film stock used and the cheap 35mm blow-ups done by the distributor at the time.
    *The framing was constantly checked throughout the transfer (exactly 1.78:1 - per the request of "Dark Sky Films") and there may be some shots where the framing isn't EXACTLY like the old one.

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